Diane Smith-Sadak
ASSOICIATE PROFESSOR (1999) dsadak@towson.edu (410)704-4970

Diane is an Associate Professor of Acting and Directing. Professor Smith-Sadak is an AEA professional actor and director. Currently she is listed in ë04/'05 and will be in the ë06/'07 editions of Marquis Who's Who In American Women and in the '06 edition of Who's Who in America. Smith-Sadak received her M.F.A. in Directing from Florida State University and is a graduate of Union College where she holds a BA in Economics and Political Science. She began at Towson in Fall 1999 and was Head of the Performance Program in the undergraduate division of the Department of Theatre arts for 4 years before taking on her current position with the MFA program. In 1998 she spent a year as Visiting Professor of Acting and Voice at the Korean National University of Arts. She has taught guest workshops at University of Rajasthan in India, Dartington College in England, and at the National Institute of Dramatic Arts in Sydney, Australia, and has studied extended vocal techniques at the Banff Centre for the Arts in Alberta , Canada and most recently at the Roy Hart International Voice Institute at Melarargues, France in July 2005. Prof. Smith-Sadak is currently the Convener of the Theory and Practice of Performance Working Group for the International Federation for Theatre Research. She has published a chapter entitled, ìThe Soul Of The Story: Blending Hart, Bogart and Suzuki ñ A Curricular Shift for the Globalized American Actorî in a new book Ethnicity and Identity: Global Performance . In January of 2003 she presented her paper on the work of Roy Hart and its application to global performance at the annual conference in Jaipur , India . In 2004 Prof. Sadak attended an IFTR Conference in St. Petersbug , Russia to workshop new research on using Buddhist workbooks as a foundation for advanced actor training. In the past three years, Ms. Smith-Sadak has created the roles of Eva in Eve ën Eve ën Eve by Daniel Nelson in 2003; Janis Joplin in a new work entitled Legends: A Concert by Binnie Ritchie-Holum in 2003 and in 2004; and Zoë in A Cave In The Sky by Juantia Rockwell in 2002. Smith-Sadak spent several years in California, where she worked at numerous theatre companies as an actor and director, as well as being a staff artist with the California Playwrights Project. She was awarded two years of grant funding as an artist-in-residence by the California Arts Council and was on the Executive Board of the Actors Alliance of San Diego (AASD) for three years. During her tenure with AASD, she sat on the steering committee to create an annual actor-generated theatre festival for the San Diego arts community, and was the festival's Director of Public Relations for its first three years. Ms. Smith-Sadak wrote, directed and performed in a one-woman show entitled "It's Not Funny, I'm Only Laughing" which was produced at the Sushi Performance Gallery in San Diego for the first Actors Festival. In addition to her performance work and directing for the stage, Ms. Smith-Sadak has acted in industrial videos, directed for both the ITV network and KPBS in California and served as a television panelist and voice-over actor in Seoul , Korea for Arirang television. Ms. Smith-Sadak's recent research has been focused on interweaving the training methodologies of the voice work of Roy Hart, the training methods of Japanese director Tadashi Suzuki and the American director and acting theorist Anne Bogart. She has trained extensively with Ms. Bogart's SITI Company, and has taught these movement techniques in professional workshops in California, and as a visiting artist at various colleges and universities here and abroad. She continues to be a voice student of Richard Armstrong, one of the founding members of the Roy Hart Company. Her husband, Adjunct Associate Professor Barry K. Smith, also teaches in the Department of Theatre Arts at Towson and they have two children: a son, Noel who is 9 1/2, and a daughter, Sage who is 7. They live on a small farm in York , PA.


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